![]() ![]() ![]() Įverett received a Golden Globe nomination for Best Actor – Motion Picture Musical or Comedy. Moore won the National Board of Review Award for Best Supporting Actress for her performances in Magnolia, A Map of The World, and An Ideal Husband. Julianne Moore was nominated for the Chicago Film Critics Award for Best Supporting Actress, a Golden Globe Award for Best Actress in a Comedy or Musical, and a Golden Satellite Award for Best Actress in a Comedy or Musical. The site’s critics consensus reads, " Brevity is the soul of wit, eh? This adaptation gets to the nitty gritty of Wilde's stage piece and plays on eternal human foibles." Awards On Rotten Tomatoes, An Ideal Husband has an approval rating of 85% based on 67 critics’ reviews. Hollywood couldn't come up with a tidier feel-good ending - one that gets everybody off the hook - than An Ideal Husband 's concluding moral: Nobody's perfect." Stephen Holden of The New York Times also reviewed the film positively, writing, "If An Ideal Husband transports us back to a world that seems more refined than ours, it also flatters us, as Wilde flattered the play's fin de siècle audience, by arriving at a plain-as-the-nose-on-your-face piece of wisdom that after all the preceding badinage may seem more profound than it really is. Owen Gleiberman of Entertainment Weekly wrote the film is "an enjoyable, minor, lustrously shot revamping of Oscar Wilde’s play about the perpetually interlocked manners of love and deception…Everett gets all the good lines, but he’s daring enough to deliver them gently, with a knowing touch of rue." The film received positive reviews from critics, including Roger Ebert, who awarded it 3 out of 4 stars. Cheveley's lost bracelet was removed, and the twists at the end are made more complex by the introduction of a bet between Lord Goring and Mrs Cheveley, and Lord Goring's need to ask the permission of Sir Robert Chiltern to marry his sister, Miss Mabel Chiltern. The plot of the film differs from the original Wilde play in a number of key respects. Cate Blanchett as Lady Gertrude Chiltern.It's a joy to behold all the way, you can't tire of it, and you just want it to go on forever, even with Paulette Goddard busy at new ugly schemes of blackmail and destructive cultivation of greed - yes, this is actually Oscar Wilde's most and maybe only moral play. It's difficult to say what's best in this film, who is the best actor (while I am leaning towards Diana Wynyard), if the prize goes to the colourful scenery and sets, but I think the main triumph of the film is Oscar Wilde's own dialogue, which must make every screening of this play into a success - it has been done so often. Aubrey Smith among many others, a little drowned perhaps in too much music, but never mind - the music is good as well, especially in the beginning at the grand opening scene of the soirée with all the top society of belle époque London all at their gaudiest dresses. An ideal rendering of Oscar Wilde at his best, this is a feast for the eyes all the way through, with excellent acting by Michael Wilding, Diana Wynyard, Hugh Williams, Paulette Goddard, Glynis Johns and C. ![]()
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